Passenger (Alexandra Bracken, 2016)


Why did you choose this book?

Partially for the premise, but primarily for the cover.  So stunning!

What’s it about?

Teenage Etta steps onto the stage at the Met for her first solo violin performance with a full orchestra.  As she begins to play, she is interrupted by overwhelming feedback only she can hear.  Another musician grabs her and pushes her through a portal, where she awakens in a ship’s cabin with a frantic battle and roaring cannon fire overhead.  To give you the basic premise, the head of the travelers is a ruthless grandfather-type-figure who is holding Etta’s mother hostage and will harm her unless Etta returns in a week with an astrolabe that can be used to further his power.

Bracken has a fascinating premise in these books.  Essentially, there were four families of “travelers” who could use passages throughout the world to travel through both time and space.  These four families have now been consolidated into one under the power of “Grandfather.”  The passages are an intriguing idea.  The passage in the Met of 2015 leads to 1776 Nassau.  Passages only connect two times and places, however, so to get to, say, mid-1500s Damascus, travelers would have to take multiple specific passages.  It’s mind-boggling, especially because travelers have to keep track of their movements to avoid crossing paths with themselves.


Fantasy, teen, time travel

Other recommended reads?

Although it doesn’t have daemons, the portals in this book reminded me of those in Philip Pullman’s His Dark Materials series.


I started to lose interest toward the end, but it’s a smart and engaging fantasy.  I appreciated the fact that there were no magical powers and the passages were the only fantastical element.  It was also an intelligent read for teenagers and didn’t over-simplify, though I certainly wish that the characters had spent more time getting immersed in many of the eras to which they traveled.  The second book is due out next year and is entitled Wayfarer.

Up next?

Hot Attraction by Lisa Childs


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